NFT Dashboard Application Development.
Through a wide variety of mobile applications, we’ve developed a unique visual system.
- Client George Wallace
- Date 15 June 2022
- Services Web Application
- Budget $100000+
Hi, I’m Patrick Ngugi, a photographer based in Nairobi with a passion for storytelling that makes an impact. My work focuses on news and climate change photography—capturing the moments that matter, the stories that need to be told, and the realities that shape our world. Through my lens, I bring to light the human side of global challenges, whether it’s covering breaking news or documenting the effects of climate change on communities here in Kenya and beyond. I believe that a single image has the power to inform, inspire, and move people to action. Working with media outlets, NGOs, and other organizations, I aim to create visuals that resonate deeply and foster change. If you’re looking for powerful, story-driven photography, I’d love to explore how my work can help bring your vision to life. Feel free to take a look at my portfolio to see the world as I see it—or reach out if you’d like to connect!
I'm a copywriter and content writer who has worked in various web agencies and websites so
I understand what it takes to write an engaging webpage content that will make people linger.
I will make sure that I deliver in line with your needs and requirements. My goal is to exceed the expectations of every client!
I will rewrite pages, or provide original content for your website that includes:
Effective websites require quality content to best represent their brand or services.
If you want your website to achieve your sales goals, it must contain search engine optimized,
Through a wide variety of mobile applications, we’ve developed a unique visual system.
There are always some stocks, which illusively scale lofty heights in a given time period. However, the good show doesn’t last for these overblown toxic stocks as their current price is not justified by their fundamental strength.
A strategy is a general plan to achieve one or more long-term. labore et dolore magna aliqua.
UI/UX Design, Art Direction, A design is a plan or specification for art. which illusively scale lofty heights.
User experience (UX) design is the process design teams use to create products that provide.
Toxic companies are usually characterized by huge debt loads and are vulnerable to external shocks. Accurately identifying such bloated stocks and getting rid of them at the right time can protect your portfolio.
Overpricing of these toxic stocks can be attributed to either an irrational enthusiasm surrounding them or some serious fundamental drawbacks. If you own such bubble stocks for an inordinate period of time, you are bound to see a massive erosion of wealth.
However, if you can precisely spot such toxic stocks, you may gain by resorting to an investing strategy called short selling. This strategy allows one to sell a stock first and then buy it when the price falls.
While short selling excels in bear markets, it typically loses money in bull markets.
So, just like identifying stocks with growth potential, pinpointing toxic stocks and offloading them at the right time is crucial to guard one’s portfolio from big losses or make profits by short selling them. Heska Corporation HSKA, Tandem Diabetes Care, Inc. TNDM, Credit Suisse Group CS,Zalando SE ZLNDY and Las Vegas Sands LVS are a few such toxic stocks.Screening Criteria
Here is a winning strategy that will help you to identify overhyped toxic stocks:
Most recent Debt/Equity Ratio greater than the median industry average: High debt/equity ratio implies high leverage. High leverage indicates a huge level of repayment that the company has to make in connection with the debt amount.
Through a wide variety of mobile applications.
UI/UX Design, Art Direction, A design is a plan or specification for art viverra maecenas accumsan.
Through a wide variety of mobile applications, we’ve developed a unique visual system and strategy that can be applied across the spectrum of available applications.
Most recent Debt/Equity Ratio greater than the median industry average: High debt/equity ratio implies high leverage. High leverage indicates a huge level of repayment that the company has to make in connection with the debt amount.
The training provided by universities in order to prepare people to work in various sectors of the economy or areas of culture.
Higher education is tertiary education leading to award of an academic degree. Higher education, also called post-secondary education.
Secondary education or post-primary education covers two phases on the International Standard Classification of Education scale.
Google’s hiring process is an important part of our culture. Googlers care deeply about their teams and the people who make them up.
A popular destination with a growing number of highly qualified homegrown graduates, it's true that securing a role in Malaysia isn't easy.
The India economy has grown strongly over recent years, having transformed itself from a producer and innovation-based economy.
Google’s hiring process is an important part of our culture. Googlers care deeply about their teams and the people who make them up.
A popular destination with a growing number of highly qualified homegrown graduates, it's true that securing a role in Malaysia isn't easy.
The India economy has grown strongly over recent years, having transformed itself from a producer and innovation-based economy.
The training provided by universities in order to prepare people to work in various sectors of the economy or areas of culture.
Higher education is tertiary education leading to award of an academic degree. Higher education, also called post-secondary education.
Secondary education or post-primary education covers two phases on the International Standard Classification of Education scale.
The education should be very interactual. Ut tincidunt est ac dolor aliquam sodales. Phasellus sed mauris hendrerit, laoreet sem in, lobortis mauris hendrerit ante.
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The education should be very interactual. Ut tincidunt est ac dolor aliquam sodales. Phasellus sed mauris hendrerit, laoreet sem in, lobortis mauris hendrerit ante.
The education should be very interactual. Ut tincidunt est ac dolor aliquam sodales. Phasellus sed mauris hendrerit, laoreet sem in, lobortis mauris hendrerit ante.
The education should be very interactual. Ut tincidunt est ac dolor aliquam sodales. Phasellus sed mauris hendrerit, laoreet sem in, lobortis mauris hendrerit ante.
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All the Lorem Ipsum generators on the Internet tend to repeat predefined chunks as necessary
1 Page with Elementor
Design Customization
Responsive Design
Content Upload
Design Customization
2 Plugins/Extensions
Multipage Elementor
Design Figma
MAintaine Design
Content Upload
Design With XD
8 Plugins/Extensions
All the Lorem Ipsum generators on the Internet tend to repeat predefined chunks as necessary
1 Page with Elementor
Design Customization
Responsive Design
Content Upload
Design Customization
2 Plugins/Extensions
Multipage Elementor
Design Figma
MAintaine Design
Content Upload
Design With XD
8 Plugins/Extensions
All the Lorem Ipsum generators on the Internet tend to repeat predefined chunks as necessary
1 Page with Elementor
Design Customization
Responsive Design
Content Upload
Design Customization
2 Plugins/Extensions
Multipage Elementor
Design Figma
MAintaine Design
Content Upload
Design With XD
8 Plugins/Extensions
In the heart of Nairobi, under the sprawling canvas of a clear blue sky, Africa made its stand. The Africa Climate Summit 2023 (ACS23) brought the world to Kenya, uniting leaders, activists, and communities from across the continent to tackle the ever-pressing challenge of climate change. The energy in the city was palpable as hundreds gathered, hopeful yet weary, ready to address a battle that Africa has long fought but rarely won.
On the summit stage, U .S. Special Presidential Envoy for Climate John Kerry delivered a powerful address emphasizing the urgency of global action on climate change. Kerry highlighted the need for enhanced international cooperation and commitment to reducing greenhouse gas emissions, underscoring the importance of meeting the targets set in the Paris Agreement. Behind him, the bold letters of “ACS23” hovered, a testament to the scale of the event and its importance. Yet, despite the diplomacy, what unfolded outside the halls of the summit was the true voice of the people.
Out on the streets, Turkana women, dressed in their traditional attire, stood proudly, a contrast to the polished suits inside. Their faces, weathered by the elements, bore the silent suffering of a people who had witnessed climate change firsthand. One of them held a sign that read, “Less talk, more action for climate.” It was a simple statement, but in those few words lay the frustrations of millions. The women’s beaded necklaces glistened in the sun, a reminder of the vibrant cultures that have lived in harmony with nature for centuries. Now, that very nature was turning against them, as droughts, floods, and erratic weather patterns threatened their way of life.
In front of them, a young boy, wrapped in chains as a symbolic gesture, held a bright red sign high above his head. “Stop fueling climate chaos by pumping billions into fossil fuels each year,” it read, the bold lettering mirroring the fierce determination in his eyes. His voice, like the cries of his generation, was loud and clear: the time for empty promises had passed. His chains clinked lightly with his every step, a powerful representation of the shackles of climate injustice that weighed heavily on the youth.
The contrast between the official summit proceedings and the grassroots protests outside could not have been more striking. While inside, polished speeches and elaborate agreements were being drafted, outside, the streets were alive with raw emotion. Indigenous communities, environmental activists, and concerned citizens marched side by side, their banners fluttering in the breeze, demanding the world take notice.
One elder, with deep-set eyes that seemed to carry the weight of generations, spoke quietly to a journalist. “We have lived with nature for so long, and now we are being punished for things we did not cause,” she said. “We are not the ones burning fossil fuels, but we are the ones facing the droughts. We are not the ones causing emissions, but we are the ones who cannot grow food.” Her words hung heavy in the air, filled with a profound sense of injustice.
Inside the summit, the rhetoric was polished, the atmosphere professional. Yet, the tension was undeniable. The African leaders in attendance knew that their countries contributed the least to global emissions yet suffered disproportionately from climate disasters. Their calls for climate justice resonated through the halls, urging richer nations to honor their commitments to financial support for climate adaptation and mitigation.
But it was the voices outside—the Turkana women, the chained boy, the elders—that carried the heart of the summit. As they chanted and marched, they called not just for financial aid, but for real, tangible action. Their message was clear: Africa cannot afford to wait any longer.
In the end, ACS23 will likely be remembered for more than just the agreements made behind closed doors. It will be remembered for the people who came together on the streets of Nairobi, demanding more than words. The summit may have provided a platform for dialogue, but the people provided the urgency, the raw humanity, and the emotional depth that showed the world what is truly at stake.
The climate crisis is not just an abstract policy issue. It is the lives of farmers watching their crops wither under relentless heat. It is the children whose futures are being stolen by floods and droughts. It is the communities like those of Turkana, whose centuries-old ways of life are being erased. And for them, the fight for climate justice is not about politics—it is about survival.
As the summit came to a close, the speeches would soon fade from memory, but the cries of the people outside will echo long after. For Africa, the battle against climate change is not just a global fight; it is personal, and it is urgent. And as the banners in Nairobi made clear, there can be no more talk—only action.
As I arrived in Kambembe, Rironi, the reality of the sodium cyanide truck spill struck me immediately. The site of the overturned truck, which had carried 22 tonnes of sodium cyanide destined for Uganda, was eerily quiet, save for the lingering danger invisible to the naked eye. Residents, unaware of the lethal threat, had descended upon the accident scene days earlier, looting some of the scattered containers. It was a stark scene of chaos and human vulnerability.
Sodium cyanide, often used in the mining of gold, is a highly toxic substance. Even minimal exposure—whether by touch, inhalation, or ingestion—can lead to severe health complications, including headaches, dizziness, and even death. Tragically, few locals understood this as they collected the spilled material for unknown purposes, inadvertently endangering themselves and their families.
“I thought it was some kind of fertilizer,” confessed John Mwangi, a farmer from the area who had unknowingly taken a drum of the substance home. By the time authorities arrived, the damage was done—20 containers were reported missing, and the region was on edge. Heavy rains shortly after the accident raised fears of contamination spreading into water sources, potentially devastating the local ecosystem.
Kiambu’s Minister of Health, Dr Elias Maina, accompanied by other officials, toured the site to address residents. Their warnings were clear: sodium cyanide is a silent killer. Public education campaigns sprang up overnight to inform locals of the risks. A visibly shaken Mwangi returned his stolen container to the area Chief, saying, “I had no idea it could be this dangerous.” The chief Spent the Long night Patroling the area, Begging the Villagers to Return this Dangerous Chemical.
The aftermath of the spill brought Kiambu into the national spotlight. Health officials, Community Health officials, environmentalists, and police joined forces to track down the remaining containers. Meanwhile, the transport company responsible dispatched experts to secure and retrieve the recovered chemicals. Governor Kimani Wamatangi urged the public to prioritize safety, promising rewards for the safe return of the stolen drums.
Despite these efforts, fear and uncertainty gripped the region. Mary Wanjiru, a mother of three, shared her anxiety: “We don’t know if our water is safe anymore. The rain might have carried the poison into our wells.”
The government initiated environmental surveillance to assess contamination and mitigate risks. In the coming days, cleanup teams worked tirelessly, but the specter of cyanide loomed large, leaving a community changed forever.
As I left Kiambu, I couldn’t shake the haunting stories I’d heard—stories of fear, resilience, and human error. This tragedy underscored the need for public education about hazardous materials and stricter regulations on transporting such substances. For the people of Rironi, the incident would remain a painful reminder of the fragility of life and the perils of ignorance.
On a scorched street in Nairobi, thick smoke billowed into the sky as the sharp cracks of tear gas canisters echoed through the air. A soldier, shielded by riot gear and a transparent shield, raised his weapon and prepared to fire into the fray. On the other side of the barricade, angry chants of protestors reverberated, their voices united against economic injustice. In that fleeting moment, photographer Patrick Ngugi captured a single frame—a soldier’s resolute stance in a sea of chaos. The image encapsulates the tension, desperation, and resilience of a nation grappling with inequality.
Hundreds of kilometers away, in Samburu, another story unfolded under a glaring sun. On the arid plains, a young boy in a vibrant red shuka dashed through a sea of golden locusts, his stick swinging with determination. The locusts, a shimmering swarm that blanketed the sky, posed an existential threat to the livelihoods of his community. Patrick’s camera clicked once again, immortalizing not just the calamity but the spirit of defiance. The boy was no victim; he was a warrior, fighting for his land and his people against a force far beyond his control.
These photographs are not just visual records—they are emotional narratives, visceral testimonies of Kenya’s struggles and triumphs. Through his lens, Patrick Ngugi has become a storyteller, etching the realities of his homeland into the global consciousness.
Patrick Ngugi is not just a photojournalist; he’s a storyteller with a mission. “When I look through my viewfinder, I’m not just capturing an image; I’m documenting life, struggle, and resilience,” Patrick explains. His work transcends mere documentation, bridging the gap between Kenya’s untold stories and the world beyond. From the fiery protests in Nairobi to the unforgiving plains of Samburu, Patrick’s photographs evoke emotions and spark conversations.
One of his most iconic works, the photograph of a soldier at the Nairobi protest, reflects more than just a moment of conflict. Taken during demonstrations against the controversial “new money bill,” it symbolizes the growing discontent in the country. The bill, seen as a harbinger of economic hardship, had mobilized thousands. Through Patrick’s lens, the tension becomes humanized—a soldier performing his duty against the backdrop of citizens demanding change.
In Samburu, Patrick shifts his focus to another crisis—the locust plague that ravaged East Africa. His image of the young boy battling the swarm is a poignant depiction of climate change and its human toll. “That boy’s determination reminded me of the spirit of our people,” Patrick reflects. “Even in the face of insurmountable odds, we stand and fight.”
Best photojournalists like Patrick Ngugi are doing more than just taking pictures—they are creating platforms for dialogue and change. In a country where urban and rural realities often feel worlds apart, photography becomes the bridge, connecting these disparate narratives.
Patrick’s photograph of the Nairobi protest sparked debates on police brutality and the citizens’ right to peaceful demonstrations. Shared widely on social media, it became a rallying cry for accountability and reform. Similarly, his image of the Samburu boy drew attention to the devastating effects of climate change, underscoring the urgency of global action.
Through Patrick’s work, photojournalism in Kenya takes on a transformative role. It forces audiences to confront uncomfortable truths while celebrating the resilience and humanity that define the Kenyan spirit.
For Patrick, every photograph comes with a profound responsibility to his subjects. “You can’t just walk into someone’s life, take a picture, and leave,” he says. During the locust infestation in Samburu, Patrick spent days in the village of Sissia, listening to the fears and dreams of its people.
“When I captured that boy running through the locusts, I wasn’t just photographing a crisis. I wanted the world to see his strength, his determination. He wasn’t a victim; he was a hero.”
This empathetic approach defines Patrick’s style and sets him apart. His photographs are not just about struggles—they are about dignity, hope, and the human spirit.
Photojournalism in Kenya is not for the fainthearted. Patrick has faced physical dangers and ethical dilemmas in his line of work. He recalls the chaos in Nairobi as protests erupted. “I was in the thick of it,” he says. “Tear gas burned my eyes, and the sound of gunfire was deafening. But I knew I had to stay. People needed to see this.”
The challenges extend beyond the field. In an age of misinformation, maintaining authenticity has become a moral imperative. Patrick is acutely aware of the weight his images carry and the responsibility that comes with it. “Every photo has a story, and every story must be told truthfully,” he emphasizes.
With the rise of digital platforms, photojournalists like Patrick are reaching broader audiences than ever before. Social media has become a powerful tool, enabling them to connect directly with viewers and amplify their work.
Patrick sees a bright future for Kenyan photojournalism. “The younger generation is bold and fearless,” he says. “They’re not just documenting events; they’re advocating for change. And that’s what photography should be about.”
From the fiery streets of Nairobi to the locust-ridden plains of Samburu, Patrick Ngugi’s work stands as a testament to the power of visual storytelling. His photographs remind us of Kenya’s resilience, courage, and humanity. In his hands, a camera is not just a tool—it’s a weapon against ignorance, a bridge across divides, and a mirror reflecting the soul of a nation.
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